Ocean Waves 720p Umi ga kikoeru - I Can Hear the Sea - (1993 Lang: Japanese, Sub: English)

Ocean Waves, also known as I Can Hear the Sea (Japanese: 海がきこえる Hepburn: Umi ga Kikoeru?), is a 1993 Japanese anime television film produced by Studio Ghibli. Directed by Tomomi Mochizuki and written by Kaori Nakamura, the film is based on the novel of the same name by Saeko Himuro. Ocean Waves first aired on May 5, 1993 on Japanese television.

The film is set in the city of Kōchi, on the Japanese island of Shikoku. It concerns a love triangle that develops between two good friends and a new girl who transfers to their high school from Tokyo.

Ocean Waves was an attempt by Studio Ghibli to allow their younger staff members to make a film reasonably cheaply. However, it ended up going both over budget and over schedule.

In December 2016, GKIDS announced that the film will be remastered for a limited theatrical release, beginning on December 28, 2016, with a home video release in Spring 2017.

At Kichijōji Station, Tokyo, Taku Morisaki glimpses a familiar woman on the platform opposite. Later, as his flight to Kōchi Prefecture takes off, he narrates the events that brought her into his life. The story is told in flashback.

In Kōchi, two years prior, Taku receives a call from his friend, Yutaka Matsuno, asking to meet at their high school. He finds Yutaka at a window, watching an attractive female transfer student whom Yutaka was asked to show around. The boys discuss their upcoming school trip to Hawaii. At the school gates, Taku is introduced to the new girl, Rikako Muto. She thanks Yutaka for providing directions to a bookstore. Taku teases Yutaka about his infatuation.

Rikako is academically gifted and good at sports, but also arrogant. Taku believes she is unhappy about leaving Tokyo. His mother learns from gossip that a divorce brought Rikako's mother to Kōchi. In a phone conversation with Yutaka, he discovers that Rikako is living away from the family house.

The school year ends, heralding the Hawaii trip. Taku, suffering from an upset stomach, is stopped in the hotel lobby by Rikako. She explains that she has lost her money and asks to borrow some. As Taku has a part-time job, he lends her ¥60,000. Promising to repay him, she warns not to tell anyone. As she departs, Taku sees a stern Yutaka and feels compelled to explain. Later, Rikako admonishes him for telling Yutaka about the money, saying that he also loaned her ¥20,000.

Back in Kōchi, the third year begins with Rikako making a friend, Yumi Kohama. Rikako hasn't returned Taku's money and he wonders if she has forgotten. Out of the blue, a distressed Yumi calls Taku, explaining that Rikako had tricked her into coming to the airport on the pretence of a concert trip, only to discover that their real destination is Tokyo, tickets paid for with Taku's money. He races to the airport, sending Yumi home, saying that he will accompany Rikako.

Upon arrival, it appears that Rikako has not forewarned her father, interrupting his planned trip with a girlfriend. Her father thanks Taku, repays the loan and arranges a room at the Hyatt Regency hotel. Later, Rikako explains that when her parents were fighting, she'd always sided with her father, but had now discovered he wasn't on her side. Comforting her, Taku offers his bed and attempts to sleep in the bathtub. The next morning, Rikako seems back to her normal self and kicks Taku out so that she can change clothes to meet a friend for lunch. Taku wanders around the city. After catching up on sleep at the hotel, Taku receives a call from Rikako asking to be rescued from former boyfriend, Okada, who is not as she remembered him.

Returning home, Rikako ignores Taku, but doesn't hide from others that they spent a night together. Taku discovers this from Yutaka, who had earlier confronted Rikako to confess his feelings toward her, but had been rebuffed. Taku confronts Rikako in class for hurting his best friend, calling her "The worst!". She responds by slapping him and he slaps her in return.

The autumn school cultural festival arrives and Rikako, who has been avoiding Yosakoi dance rehearsals, becomes more distant from the other girls, many of whom openly dislike her. Confronting her behind the school, Rikako stands firm as one girl, believing that Rikako was flirting with her boyfriend, attempts to strike her but is held back. Taku, who has seen all, approaches Rikako and comments that he is impressed with the way she handled herself. She slaps him. Yutaka confronts a somewhat stunned Taku, who tries to explain. Yutaka punches him to the ground and walks away. They do not talk for the rest of the year.

In the present, Taku's plane lands and he is offered a lift home by Yutaka, who explains he punched him because he'd realized Taku had held back his feelings for his sake. At a class reunion, former student president Shimizu mentions she had met Rikako earlier. She explains that as Rikako was attending Kochi University, she had flown to Tokyo for her school break, missing the reunion. Taku realizes that Rikako was the woman he'd seen at the station. Walking home, Yumi tells Taku that she too had met Rikako, explaining she couldn't make it to the reunion and that she wanted to meet someone, but wouldn't say who... just that he slept in bathtubs.

In Tokyo, Taku again sees Rikako across the platforms, but this time runs to find her. As the train pulls away, he finds Rikako and realises that he had always been in love with her.

Much underestimated TV Ghibli - authentic and nostalgic - If you get it, you'll love it!

I rarely write reviews for movies but I simply have to recommend this one and straighten a few things out. First off let me say that this is my top 3 favorite films from Ghibli Studio (the other two being Castle in the Sky, and My Neighbor Totoro). The reason I love it is because out of all the great Ghibli works, this one speaks to me the most. And the more I watch this film and the older I get, the more I appreciate it.

It's a shame that this little gem is often underrated, under-appreciated and neglected by Ghibli fans, because it's so not like anything Ghibli or Miyazaki has done so far (which, ironically, is one of the reasons why I love it so much). It doesn't follow the usual Miyazaki formula (i.e. brave and independent heroine, epic stories, unusual adventures...you get the picture). Instead, it just tells a simple (yet highly-effective) coming-of-age story about an ordinary high school teenager in a realistic and sincere way. You may not have the similar experience as the male protagonist, but you can certainly relate to him and understand what he's going through (at least I could).

Now it seems that the complaints from those who were less impressed by this film are mostly centered around the film's (seemingly) lack of a solid plot or exciting actions. To them I'd say you people just didn't get it. As some reviewers have said, this film is all about the subtleties. It's more of a character-driven film than a plot-driven one. In other words, it's more about how you feel about/relate to the characters (dialogs, emotions, relationships, etc) than what you see on screen (the plot, actions, stunning visuals, etc). The thing is you can't just watch the movie, you have to "feel" the movie and its characters as well. And it helps a great deal too if you also know a thing or two about the Japanese culture and life in small town there.

Truth to be told I never really enjoyed all those Miyazaki extravaganzas such as Princess Mononoke, Spirited Away or Howl's Moving Castle, which of course isn't to say that they are not great. Don't get me wrong, I can see why they are great masterpieces and why people would love them, but personally I just couldn't connect with any of those movies nor can I relate to the characters. I always felt I was merely watching the movie, instead of "experiencing" it. But with "The Ocean Waves/Umi Ga Kikoeru", I felt like I was the main character and his story was my story. For some reason this movie just speaks to me like no other Ghibli movies can. It might be an animated TV movie, but to me it felt more real than most of the live-action TV dramas out there, because everything shown in that movie seems so realistic and familiar and therefore gives you a similar warm and nostalgic feeling that you also get while watching movies like My Neighbor Totoro. I've heard it said that it's the small things in life that make living wonderful (or something like that), and I think this best describes how I feel about "Umi ga Kikoeru".

If you're into big epic/fantasy movies like Spirited Away or Howl's Moving Castle, chances are you probably won't like this one. At the end it really all comes down to whether you get this film or not. If you get it, you'll love it!

The knowledge that Ocean Waves is a TV movie put me off watching this 'lesser Ghibli' until I'd covered the rest of their catalogue. Whilst it may not have the wide appeal of Miyazaki masterpieces like Totoro, Porco Rosso and Spirited Away etc., it's a surprisingly successful film. The subtleties of the relationships and characters are so beautiful and rewarding that the film is elevated way beyond its TV roots.

In short, if you want a gentle meditation on teen relationships and love, this is as good as it gets. And if you like Ghibli but the subject material doesn't sound too interesting (it didn't to me), it's still worth a look as it might surprise.

I saw this anime after I had been introduced to some other, more prominent anime from Studio Ghibli. If you appreciate a fine subtle authentic slice-of-life story of high school romance, this is as good as it gets.

Its told from the point of view of a male student. A new female transfer student arrives from Tokyo and the plot moves forward in an interesting way. It never hurries, and feels very matter of fact. By the end of the film lessons are learned and the heart strings are pulled.

This movie doesn't try to do too much; it simply focuses on the main characters and tells their story honestly. You never feel manipulated as you do with many Hollywood films. The dramatic conflicts are real and interesting.

Fantastic. If you do not care for subtly or quiet reflection, do not see this film. If on the other hand, you enjoy seeing the inner workings of the human heart, this film is hard to beat. Illustrates remarkably well something that may be better understood by the Japanese, sometimes, the unspoken speaks with greater eloquence than words are capable of doing.

Highly recommended.